pedantic nuthatch

Since we ran late on Monday, Karen gave notes by e-mail instead of in person. Here's my batch, punctuated for clarity. Karen has devised phrases to designate the squillion little french scenes.

Keep walking in the audience when Ruth starts "Oh Romeo." You don't need to face her for "Oh God."
Since you are playing with Ginger's hand, is your relationship open or would you break when Ruth and Len enter?
Stand earlier in your monologue. Try varying it a bit. Just as cheese is Len's passion, theatre is yours. Play with it.
Entrance into "Meeting Boyd" seemed awkward. Don't you follow Len in?
What do you know about James prior to the meeting? You do know about Walt, let's see that when he is mentioned.
"Tornado" looked great.
When Sharon won't do scene, don't shake head so much. Turn away, think and then turn to Ginger.
Watch volume in "Rehearsal."
Opening in Act II, enter later than the singers.
Beginning of "Basketball," be more out of breath.
Keep the straddle on the bench, loved it.
Try not to walk backwards with "IRS fraud."
More volume with last "It's GBS."