Poet John Ashbery
triangulates between the reclusive box constructor Joseph Cornell and
the outsider artist Henry Darger.
Darger constructed massively thick scrapbooks of clipped daily comics. For
Ashbery's main uses of comics, see the Popeye sestina "Farm Implements and
Rutabagas in a Landscape" (The Double Dream of Spring, 1970) and
"Daffy Duck in Hollywood" (Houseboat Days, 1977). Ashbery's most
famous use of found material involves William Le Queux's Beryl of the
Biplane (1917), the book that furnishes much of the content of "Europe"
(The Tennis Court Oath, 1962). Beryl, an aviatrix who shoots down
zeppelins and saves military secrets, now looks like a grown-up version of a
plucky, resourceful Vivian Girl. Like Darger, Ashbery has drawn upon
children's books: Three Hundred Things a Bright Boy Can Do (by "Many
Hands," 1911) provides material for "The Skaters" (Rivers and
Mountains, 1966). John Shoptaw notes that after "Europe" Ashbery made a
poem from Franklin W. Dixon's Hardy Boys novel The Secret of the Old
Mill (359).
(Thanks to wood s
lot.)
posted:
1:26:58 PM
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