Tech rehearsals this week for Rewrite have been clean. Folks from the other three shows on the night have been watching the runs, and they seem to think the show is hilarious. This is one of my favorite costumes on the comfy scale: sweatshirt, baggy khakis, and boat shoes; Linus and Dan get to wear the sight gags. My third show for the Stage where most of my action is to sit and type gibberish—easy peasy. There’s one passage where the blocking still feels awkward, but it’s very short. I really like the way Tom Moran (the playwright) has crafted the Author’s texts (the Author is a mediocre-at-best novelist and we hear his first drafts): the Author’s “writing” is flabby and free-wheeling at the same time, and I hope that audiences will find it funny.
- Nothing for WATCH until The Count of Monte Cristo at Aldersgate this fall.
- I’ve just submitted my evaluations of scripts for AACT’s NewPlayFest 2020.
Anderson, Heart of a Dog
“When L died, our teacher said, Every time you think of her, give something away, or, do something kind. And I said, Then I’d be giving things away non-stop. And he said, So?”