The Comeuppance

Branden Jacobs-Jenkins’ new play The Comeuppance is a bit too topical, a bit too on-the-nose, and one wonders how well it will age. Set in 2022, the text name-checks nearly every conflagration that has beset the United States in the past 20 years, from 9/11 to 1/6, without engaging too deeply with any of them—burgeoning gun violence perhaps being the exception. It takes place on the front porch of Ursula, one of five friends and enemies meeting up before their twentieth high school reunion, the porch well realized by a minimal set designed by Jian Jung. The show is heavily expository in roughly its first half; call it, maybe, a multi-ethnic Return of the Secaucus 5.

Jacobs-Jenkins, himself approaching middle age, confronts the prospect of death head on with this work. The turning-40s is the age when many of us realize that we’re not actually going to live forever. He brings Death on stage by a tidy maneuver, one easier done than described. The (what—spirit? mojo? voice?) quintessence of Death passes among the five players, who each from time to time break character and address the audience directly as Death—starting with Emilio (expressive Jordan Bellow), who may serve as the playwright’s voice. Emilio is a conceptual/sound/installation artist working in Berlin; he has abandoned his early work in photography, saying that he had become “tired of mimesis.”

Emerging from the high-energy agita and decades-old recriminations, Kristina (TayshaMarie Canales) has a lovely monologue in which she questions the turns that her life has taken.

The title of the play is a bit of a tease, or perhaps a misdirection, or maybe a suspension.

  • The Comeuppance, by Branden Jacobs-Jenkins, directed by Morgan Green, Woolly Mammoth Theatre Company in association with Wilma Theater, Washington

VNPS 2024: Maple Flat and Cowbane Prairie

Two field trips for this year’s annual meeting, both of them in the vicinity of Stuarts Draft on the western slope of the Blue Ridge.

sinkholeGary Fleming led the walk to several sinkhole ponds in the Maple Flat area of the George Washington/Jefferson National Forest. Limestone/dolostone account for the sinkholes, but unlike the karst landscape of Lee County, here the soft stone is overlaid by alluvium/colluvium and a layer of clay. One of the specialties of this site is Boltonia montana, only recently scientifically described.

wet prairieNate Miller was our guide to Cowbane Prairie NAP, a wet meadow. I would have done well to bring my LaCrosse boots. I didn’t get great images of any of the specialties here (and they were not in flower, anyway). The group enjoyed multiple plants of Bottle Gentian (Gentiana clausa). On a goldenrod, a Spotted Cucumber Beetle (Diabrotica undecimpunctata) made for a nice image, after cropping. It’s probably time for me to start paying more attention to orthopterans.

Seven Bends State Park

Continuing my chase for the 30-park pin, I stopped at Seven Bends State Park on my way down to Harrisonburg and the Virginia Native Plant Society annual meeting. This park lies within oxbows of the Shenandoah River, and is perhaps of more interest to paddlers than hikers. The Gokotta Trail is bordered by nearly a mile of Yellow Crownbeard; the bees kept in hives near the interpretive area appreciate it. A Groundhog (Marmota monax) was a little shy; a Blue-ringed Dancer (Argia sedula) held still for longer.

Alexandria NABA Butterfly Count 2024

good habitatThe Alexandria count in 2023 at Huntley Meadows Park was pretty much washed out. Scouting for this year indicated that there wasn’t much in bloom on the boardwalk side, so I was reassigned to the hike-bike trail side and trip leader Ana. Oh, what a difference! Huge swaths of Bidens, full of skippers, including Ocola Skipper (Panoquina ocola) (new to me this count week) and Fiery Skipper (Hylephila phyleus).

how many do you see?We did take an hour on the boardwalk as well: the highlight of this side was a thistle with a half dozen Great Spangled Fritillaries (Speyeria cybele) nectaring on it.

And snakes and spiders and shorebirds and more wildflowers and more butterflies.

Calvert County birding

As we were introducing ourselves for today’s bus trip to look for birds in Calvert County, Maryland, I made an offhand remark that I stopped to look for tiger beetles, too.

We birded the pier at North Beach, found some nice gulls, had some lunch, and were starting to pack up. I was leaning against a rail looking down at a patch of sandy beach. And I looked for a minute or two—doesn’t hurt to look, right? And holy cow! My life Bronzed Tiger Beetle (Cicindela repanda) showed up.

Pocahontas State Park

cheery trail signBefore returning home, I stayed over an extra day to bag one more state park under the Trail Quest program. Pocahontas State Park was rather quiet on a weekday. I rambled on the yellow-marked Forest Exploration trail in my backup car sneakers (as my usual sneakers were still drying out). Pocahontas has a network of trails designated and graded for mountain bikes, but the Forest Exploration trail is designated for foot traffic only. Much of the walking was on sandy substrate, with plentiful bits of isinglass scattered about. Gunfire, alas, from nearby private land was regularly audible. Not too much in bloom, but I found a solitary Indian Tobacco (Lobelia inflata) in flower and fruit.

Richmond the River City

Genevieve Wall led a two-day foray to several sites along the James River in Richmond and environs. We took a short walk in the area known as Pony Pasture, along the upper reaches of the whitewater that courses through the city. A fine Tawny Emperor (Asterocampa clyton) made an appearance. At a second site downriver, we crossed the humpty-backed footbridge to Belle Isle; the bridge is suspended from the Route 301 bridge.

at the dockhigh meadowThe next day, now fully in the Coastal Plain, as we waited for the ferry to Presquile National Wildlife Refuge, some of us spotted an Atlantic Sturgeon (Acipenser oxyrinchus oxyrinchus) breaching. The refuge is now a grownup island, as long ago a channel was cut across the base of its peninsula to facilitate river barge traffic (the Turkey Island Cutoff). Meadows in the refuge are relatively clear of most non-native invasives; however, the management plan calls for letting natural succession to take place, which is expected to clear out the infestation of Clematis terniflora. Heavy morning dew on the mown paths plus poor planning on my part resulted in soggy feet for most of the day. An interesting ode caught our attention, but she turned out to be “just” a Blue Dasher (Pachydiplax longipennis). We wrapped up the day with a contemplative paddle in canoes from Deep Bottom Park.

Dyke Marsh Wildlife Preserve

from the end of the boardwalk 1from the end of the boardwalk 2The Grass Bunch met, in scattered fashion, at Dyke Marsh Wildlife Preserve, after waiting out a passing thundershower. In the past, field trips to Dyke Marsh (say, for birding) have usually petered out at about the point where the trail turns east. but this time, C and I walked the length of the trail, to the end of the boardwalk. There are some pleasant views from this point.


After scooting through the non-natives near the trailhead, we turned up a couple plants in flower that I had not recorded before, Cutleaf Coneflower (Rudbeckia lacinata) and Biennial Beeblossom (Oenothera gaura).

On Metro North

One follow-up to my New York trip that I overlooked: Metro North names some of their passenger cars to recognize people, places, and things. On my trip back from Beacon, I had the honor of riding in car #6163, Thelonious Monk.

Where can I find a list of all the cars’ names?

New York 2024 bis

I made a second trip to New York this year! The impetus was seeing the Vivian Maier show at Fotografiska before that venue closes its doors. Also on the gallery/museum visit checklist was

  • Brooklyn Botanic Garden: the Franklinia trees were looking rather peaky, but I did spot a Painted Lady (Vanessa cardui) in one of the flower beds. The Japanese garden was a bit of a disappointment; I don’t understand why the torii was placed in the pond. Some traffic noise, but overall, the BBG is worth a return visit.
  • A (for the most part picturesque) ride up the Hudson on Metro North to Dia Beacon, to see some “old friends” (Robert Ryman, Sol LeWitt, Richard Serra). I liked the Steve McQueen installation downstairs (Bass): it felt like waiting on a subway platform for the train out of Purgatory.
  • International Center of Photography, now on Essex Street.
  • MoMA PS1 for James Turrell’s Meeting, seen under perhaps perfect afternoon conditions: some haze in the blue sky, tumbles of clouds sliding by.

I rolled out in the direction of the Rockaways on the A to Jamaica Bay Wildlife Refuge (an NPS property, despite its name). Birding was slow in the late morning, but a Yellow Warbler (Setophaga petechia) flitted about and a trio of Black-crowned Night Herons (Nycticorax nycticorax) perched up. I found a few new plants that I did not recognize, a couple of non-native invasives (Rosa rugosa and Saponaria officinalis) and a startling mint, Monarda punctata. I watched a Red-winged Blackbird (Agelaius phoeniceus) steal a cicada from an Eastern Cicada-killer Wasp (Sphecius speciosus): after the wasp lost its meal, it spiraled in angry circles around the scene of the robbery. I killed my first Spotted Lanternfly. And my second. Any my third. Walking the coarse gravel path around the West Pond in my hiking sneakers began to wear out my feet.

novel wayfindingThe A runs underground until 80th Street, so I had ample time to admire some brilliant innovative tech: as the train approaches a station, doors on the exit side are framed in green light, and the strip map above each door changes to a map of the platform with the train berthed, with your car marked with a “You are here.” Arrows direct you to stairs, elevators, connecting trains and (in the outlying stations) major buses, and street intersections. Wayfinding right when you need it, before you step on to the platform. Let’s hope that this tech makes its way on to the other lines. The gold and cobalt blue accents in the livery are quite handsome.

reset 1reset 2For all of the New York subway’s crashed message boards,

restorationfunky stinks, cramped escalators (looking at you, E and M at Lexington Avenue-53rd Street), squonky noises, confusing service changes for maintenance (for a trip back from Columbus Circle, it would have been faster to walk, even accounting for the fact that I jumped on the wrong 7 train), and random rust stains, once in a while you find a bit that has been restored to glory. Here’s a station marker on the Lexington line that’s just superb.

I visited three jazz clubs new to me:

  • Dizzy’s Club: rather posh, bar seating works well.
  • Blue Note: very snug, not for claustrophobes.
  • Jazz Gallery: no frills, no minimums, just right.

comes in all sizesSome views from my jewel box hotel on East 55th Street: an old school shoe repair shop.


cornice, railings, orange fenceMr. Johnson, I presumeFrom the 7th floor terrace, buildings at the corner of Lexington, and in the distance down at Madison, a partial view of what I still think of as Philip Johnson’s AT&T Building, now just known as 650 Madison.

On my way back to the subway from the Joyce Theater, I was feeling peckish for dessert. Poof! appeared an Oddfellows ice cream shop at the corner of 17th Street. A generous scoop of vegan chocolate-chocolate chunk was very good.

Stereophonic

Playwright David Adjmi takes another plunge into less-visited subcultures, in this case top-tier pop-rock music production in the 1970s with the double album-sized, polished Stereophonic. Music recording in this decade was in a transition period from the era when all musicians played together at the same time, in the same room, looking at and listening to each other. The five-member unnamed band (we may as well call them Bleetwood Mac) of Adjmi’s work do play through a song or two as an ensemble in the first half, but as relationships unravel like a bad macrame plant hanger, all of the subsequent taping sessions entail only one or a few band members, listening to playback and staring straight ahead.

Although the band and chief engineer Grover do have access to a gigantic mixing board the size of a corporate boardroom conference table, sound capture and mixing at the time was analog and linear, in the parlance. Nevertheless, Grover and drummer Simon (Chris Stack) consume an inordinate amount of energy pursuing a glitchy resonance in Simon’s drum kit, something inaudible to us and perhaps chimerical. As Grover learns the ropes of fake-it-till-you-make-it, in the latter stages of the play he overpowers Simon to play to a click track (again, a relatively novel technology) because Simon’s beat is wavering. Or so Grover says.

It was a silver age, with so much money and time available, chasing infinitesimal improvements in quality.

Adjmi’s approach to dialogue, matched by the direction of Daniel Aukin, follows a similar arc: early expository scenes are full of jumbled, overlapping, super fast passages (particularly from Sarah Pidgeon’s Diana), while at the end, characters’ decisions are underscored by searing pauses. With all involved looking dead downstage.

It’s not for nothing that perfectionist Peter (Tom Pecinka), as done up with aviator shades and drooping mustache, is a ringer for Walter Becker.

  • Stereophonic, by David Adjmi, songs by Will Butler, directed by Daniel Aukin, Golden Theare, New York

A gold record on the wall for understudy Cornelius McMoyler, who stepped in seamlessly as Grover at Tuesday’s performance.

Soft Power

David Henry Hwang’s effective new musical Soft Power suggests a triangulation of the patriotism of Hamilton and the east-meets-west of Pacific Overtures, recently produced by Signature Theatre. However, it’s set in the here and now of strained USA-China relations and the two most recent election cycles. The text of the play explicitly acknowledges that it is a response to another well-loved musical, The King and I, Hwang working in a familiar groove.

“Welcome to America” explodes in your face, with the least sinister figure being a silent Times Square Elmo puppet. It sets up the arrival two songs later of Hillary Clinton (the electrifying Grace Yoo), an Asian American in a blonde wig. Clinton’s music and movement is a pastiche of Meredith Wilson,* Reno Sweeney, Evita Peron, Michael Bennett, John Kander, and Stephen Sondheim. Her 11:00 number (actually a 9:15, in this 90-minute play) is “Democracy,” which opens with a tremendous preach and closes with a scrim drop from the flies that will have most Americans losing their shit, in a good way.

“Happy Enough” (my notes say “tone song,” which perhaps better captures the spirit) is a lovely duet for Clinton and ex-pat Xūe Xíng (Daniel May), intimately exploring the nuances of Chinese pronunciation, with a slightly forced joke involving an English vulgarism.

  • Soft Power, book and lyrics by David Henry Hwang, music and additional lyrics by Jeanine Tesori, directed by Ethan Heard, Signature Theatre, Arlington, Va.

*Clinton’s repetition of the lyric “Problems” also brings to mind Laurie Anderson’s “Only an Expert,” but that’s just me.

At the park: 149

Wrapping up reporting for the 2024 nesting season.

OK, for a rainy-day project, I can total up results for our nesting season. It was a much better year for our Wood Ducks. It’s likely that some of our Hooded Mergansers managed with natural cavities.

For our Wood Ducks, 10 nests started, 1 nest lost to predation, 9 nests fledged; 146 eggs laid, 117 ducklings fledged. For our Hooded Mergansers, 2 nests started, 2 nests fledged; 22 eggs laid, 19 ducklings fledged. About the same fledging rate (80% for WODU, 86% for HOME)….

Once again, thank you, monitors!

Contemporary American Theater Festival 2024: supplemental

I returned to Shepherdstown for a repeat viewing of Tornado Tastes Like Aluminum Sting, in an attempt to collect all the allusions to films, filmmakers, and characters that CB drops, geek that I am. I missed a couple, but here is what I could capture in my notes, in addition to those called out in my earlier blog post.

Hmm, now that I’ve seen Akerman’s News from Home, I see that certain liberties were taken when CB describes the film: there is only one door, and there are no brownstones.