Sam Holcroft’s Rules for Living is a Christmas puzzle box in which we’re given a look at the characters’ inner lives, sort of Alice Gerstenberg’s Overtones as reimagined by Michael Frayn and Alan Ayckbourn. In this case, each of this hapless family’s secret coping strategies to get through a fraught holiday gathering are projected on a screen, for instance, Matthew must sit and eat in order to tell a lie or Deborah must clean in order to hold her tongue—all to some comic effect. Jonathan Feuer as Adam has the greatest challenge, and he pulls it off, with Adam must use a silly voice (some of them very specific) in order to tell the truth.
Although the Charades sequence is predictable, it does give Naomi Jacobson (Deborah) the opportunity for the biggest laugh of the show without saying a word or moving a muscle. The fate of a solitary empty bowl on an end tape is telegraphed from Utah.
- Rules for Living, by Sam Holcroft, directed by Ryan Rilette, Round House Theatre, Bethesda, Md.
I’m all for reusing playbills, but not this one in my hands that has been overly thumbed.