From the Director

A Warning:

There will be no gunfire in this production.
There will be no smoking of cigarettes during this production.
No strobe light will be used.
There will be no intermission.
There will be no strong language.

If you are looking for any of the above when attending the theatre, we are sorry to disappoint you. However, we do encourage you to remain.

What there WILL be before you on the stage is a celebration. It is a celebration of the very essence of what makes live theatre such an exciting and engaging art form. There will be two actors acting.

They will use no props. They will not change costumes. The set will not spin around them. They will use their considerable talents to create for you eight characters—both seen and unseen—as they relay one of the greatest ghost stories ever told.

Have I seduced you? Well. God be with you.

—Kathy Feininger, director’s notes to Round House Theatre’s production of The Turn of the Screw, January 1999

And yet… I must also note that this production was excellently, if minimally, designed, by a team of established talents in the D.C. theater community: Elizabeth Jenkins McFadden (scenic), Rosemary Pardee (costume), Ayun Fedorcha (lighting), and Tom McCarthy (sound).