Margalit Fox’s obit for Imero Fiorentino, the lighting designer who made Richard Nixon look less bad in the televised Nixon-Kennedy debates, has this delicious second lede paragraph:

The maestro behind those feats was Imero Fiorentino, a lighting director who for more than half a century orchestrated the play of luminescence and shadow on television shows, in commercials and at live performances, illuminating — or not — everything from jowls to Jell-O to ginger ale.