Marvin’s Room

This wistful drama with comedy from 1990 gets its first Broadway run, powered by a name-brand cast. The technical means afforded by the American Airlines Theatre make for smooth scene changes (and there are a lot of them); the revolve makes sense here. The cast is gently amplified. Nevertheless, this is a play that wants to be in a smaller house.

Celia Weston is a good sport in playing Ruth, a character who largely serves to provide comedy in the form of euphemisms for constipation and an improbable remote control device.

It soon becomes clear that the important, interesting story arc is the relationship between Bessie (never flashy, always on task Lili Taylor) and Hank (Jack DiFalco). Their quiet one-on-one scenes, well directed by Anne Kauffman, take the time that they need. (But at times, we wish that Hank’s volume to be pumped up a bit.)

  • Marvin’s Room, by Scott McPherson, directed by Anne Kauffman, produced by Roundabout Theatre Company, American Airlines Theatre, New York
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