Acorns

Interesting early buzz in Jim Dwyer’s “About New York” column for Diaspora*, an open-source distributed social networking platform. The project is a reaction against the centralized uniformiarian approach of Facebook. Explains Raphael Sofaer, one of the four NYU student founders,

.”We don’t need to hand our messages to a hub. What Facebook gives you as a user isn’t all that hard to do. All the little games, the little walls, the little chat, aren’t really rare things. The technology already exists.”

Type here

Gillian Andrews makes some thoughtful remarks about usability, “web literacy,” and human foibles in response to the Facebook login/ReadWriteWeb flap.

Interface designers aren’t helping. Most URL bars now resolve into search results. This may seem like a good UI solution, but it is a catastrophic mistake from a literacy perspective. URLs aren’t just how we get to a page; they are involved in how we judge its content, accuracy, point of view, and most importantly who owns it.

* * *

The funny thing about the patterns in these misunderstandings is that they predate the Web…. Fans have been writing letters to the heroine of Romeo and Juliet at least since the release of the first movie in the 1930s; they arrive by the mailbag in Verona, Italy every year, despite the fact that if you’ve read through to the end, Juliet clearly isn’t in any state to write a letter back.

Some links: 37

I really didn’t intend this to become the Facebook Sux Blog, but I have to spread the link karma to Matt Labash’s jeremiad (via Arts & Letters Daily) and Mike Booth’s video satire (via Gleeful Gecko).

I told him he was a very sad man, that collecting Facebook friends is the equivalent of being a catlady, collecting numerous Himalayans, which you have neither the time nor the inclination to feed. “You have obviously never been on Facebook,” he said. “It’s so much worse than collecting cats.”

So, David, enough already.

Do you remember GeoCities?

Dollar for dollar, schaden for freude, watching the missteps of Facebook management is more fun than tracking the misadventures of a certain jailbird hotel heiress. Marshall Kilpatrick’s most recent post is titled, “Facebook Management Has Lost Its Grip on Reality,” and I’m inclined to agree.

Multiple company officials on the call today said that the controversy showed how much of a sense of ownership users have over Facebook and that they wanted a sense of participation in its governing…. We’d argue that it is pretty clear people have a sense of ownership instead over their content and want Facebook to keep its hands off. Ownership of content, not the lack of input on policy, was what people were upset about.

Facebook appears to forget that it’s just one of many ways people use the internet. It’s wildly popular today, but just as people have used other social networks in the past – they have other options for social networks to use in the future.

Get me rewrite

A collaboration between students at Northwestern University’s Medill School of Journalism and the Cedar Rapids, Iowa Gazette has launched the demonstration project News Mixer, as reported by NU staff. News Mixer is a local news site powered by Facebook Connect, which provides the authentication mechanism; comments made by a reader of news stories appear in that member’s Facebook newsfeed. The experimental News Mixer provides three levels of structured commenting, from short quips to long-form letters to the editor. It’s assembled from open source tools—Wordpress, MySQL, Trac, and Django—as recorded in the project’s blog, Crunchberry Project. The project is one of the early fruits of a new program of scholarships to Medill for talented programmers and web developers, granted by the Knight Foundation.

Advice to the players

Terry Teachout’s advice to professional theater companies hoping for a national review includes some good reminders about basic web site design:

If you want to keep traveling critics happy, make very sure that the front page of your Web site contains the following easy-to-find information and features:

(1) The title of your current production, plus its opening and closing dates.

(2) Your address and main telephone number (not the box office!).

(3) A SEASON button that leads directly to a complete list of the rest of the current and/or upcoming season’s productions. Make sure that this listing includes the press opening date of each production!

(4) A CALENDAR or SCHEDULE button that leads to a month-by-month calendar of all your performances, including curtain times.

(5) A CONTACT US button that leads to an updated directory of staff members (including individual e-mail addresses, starting with the address of your press representative).

(6) A DIRECTIONS or VISIT US button that leads to a page containing directions to your theater and a printable map of the area.

The one thing that RCP‘s front page is lacking, and I will fix it on the next update, is the opening and closing dates for the current show. And it probably wouldn’t hurt to repeat the street address of the community center.

Some links: 31

Christopher Dykton is directing and choreographing Follies for The Arlington Players. In anticipation of auditions later this month, he is blogging his preparation and the backstory of the characters of the play—in formidably articulate detail.

Because music and dance are basically mathematical, the first step in choreographing is a rather dry one. You count. The song begins with counts and ends with counts. There are a limited number of counts to a song, and movement needs to fit to these counts. How much time a movement takes needs to be calibrated and it must fit the counts. Choreographers count and demand that their dancers count, and if you do not count it like the choreographer, you will be corrected. As a choreographer teaching a dance, you count my counts. It’s my way or the highway. I have the counts—you have to learn them. I don’t need interpretation—I need you to dance my counts. But if you do count it right and practice it over and over and over again, it may perhaps transcend to something that’s art and dance.

But first you count.

Changes, again

Well, I can’t say that I’m overwhelmed by the changes to the profile system provided by Six Apart. What was a TypeKey Profile is now a TypePad Profile.

The profile page is burdened with upsell messages. The shrouded e-mail address feature is gone. Despite what the instructions say, URLs in the About Me section are not auto-linked. And URLs in the Around the Web section don’t render nicely under Safari (woof! it looks even worse under Win/IE7!). Other than that, it does the same job for me that the old system did.