“On a Clear Day,” by Victoria Chang, homage to Agnes Martin.
… the trees//won’t tell/me. That//
theater, natural history and conservation, the utterly mundane, and Etruscan 8-tracks
“On a Clear Day,” by Victoria Chang, homage to Agnes Martin.
… the trees//won’t tell/me. That//
In the beginning there was the film…
—Stav Poleg, “Two Pictures of a Rose in the Dark”
Exquisite loss: “March 3,” by Eileen Myles.
…in the day
and the
night
before. It snowed
but it was
supposed
to be larger…
“A Letter from the End of Days (Come In. Clean the House. We Have Died.)” by Malachi Black, at Poetry Daily.
… there is nothing else
to help you. There is no one here
at all.
Dara Weir’s “in the still of the night” at Poetry Daily.
no crickets, no crickets singing
“Lisburn Road,” by Michael Hofmann.
A trunk holding a suitcase holding a holdall,
The travel equivalent of the turducken…
A word peeked sometimes from the cave mouth
only to shuffle back,
Adam Bertocci reworks “Shall I compare thee to a summer’s day?”
I like poetry that rhymes and doesn’t rhyme, like today’s offering, Rebecca Foust’s “Dream of the Rood.”
Rita Dove’s “Ode to My Right Knee,” verse with a slightly concealed structural constraint.
“The Poets at the Ball Game,” by Reginald Harris.
Wednesday’s poem at Poetry Daily is a killer, “Things That Have Changed Since You Died:”, by Laura Kasischke.
…We
send each other mail without stamps.
Awesome Christmas-themed sestina (sestina, that Rubik’s cube of poetic forms) by Marcy Campbell.
“Three Lauds,” by Kimberly Johnson, at Poetry Daily.