The houses along Maple were a free-for-all of competitive decoration, their shrubbery and railings and rooflines infested with green plastic vines bearing fruits in dull colors. It wasn’t clear to Marion that the charm of Christmas lights at night was enough to offset how ugly the hardware looked in daylight hours, of which there were many. Nor was it clear that the excitement of Christmas for children was enough to make up for the disenchanted drudgery of it in their adult years, of which there were likewise many.
Jonathan Franzen, Crossroads (2021), p. 127
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theater, natural history and conservation, the utterly mundane, and Etruscan 8-tracks