seven methods of killing kylie jenner

I don’t know of a graceful way to put this: this play will resonate more with audiences who are different from me. Many of the work’s themes—prejudices in favor of light-skinned BIPOC, the shameful treatment of Sara Baartman (the so-called “Hottentot Venus”), an offhand homophobic remark unearthed from the deep social media timeline—have been elaborated elsewhere. And let us retire the trope of bringing up the house lights to implicate the audience.

The play does make it clear that, and why, Cleo (Leanne Henlon) is enraged. And the strongest element is the theatricalizing of the chaotic cacophony that is a viral thread, realized by Henlon and Tia Bannon as her friend Kara. Their physicalizing of emojis is quite the thing. Don’t understand current British slang and internet initialisms? It doesn’t matter. The playing is there.

  • seven methods of killing kylie jenner, by Jasmine Lee-Jones, directed by Milli Bhatia. Royal Court Theatre’s production, presented by Woolly Mammoth Theatre Company, Washington

Personally, I have never understood the mania for all things Jenner-Kardashian. But that’s easy for me to say.