Contemporary American Theater Festival 2017: 1

Welcome to Fear City, set in the Bronx of 1977, tells a straightforward, earnest story of economic uncertainty, racial profiling, random violence, and misguided choices. It’s much in the vein of Lorraine Hansberry. The 1970s dance break is entertaining, but perhaps that’s not playwright Kara Lee Corthron’s artistic objective. She frames the story with some fourth wall-breaking devices that are less than successful. At points, the characters speak their subtext in an exaggerated shuck an’ jive that is gratuitous. And the coda, a polyrhythmic chant, leaves us feeling a tad manipulated.

There’s a subplot that develops towards the end of the first act—is this a flirtation, or an incitement to arson?—that, unfortunately, goes nowhere.

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