“Have iPhone Cameras Become Too Smart?,” by Kyle Chayka. I really want to quote the whole piece as a blockquote, but I will just pull out:
We are all pro photographers now, at the tap of a finger, but that doesn’t mean our photos are good.
theater, natural history and conservation, the utterly mundane, and Etruscan 8-tracks
“Have iPhone Cameras Become Too Smart?,” by Kyle Chayka. I really want to quote the whole piece as a blockquote, but I will just pull out:
We are all pro photographers now, at the tap of a finger, but that doesn’t mean our photos are good.
Eren Orbey reports on the scuffle over the legacy of photographer Mike Disfarmer.
Disfarmer is the subject of a puppetry piece by Dan Hurlin.
A portrait of Pullman porter Alfred MacMillan on the Capitol Limited by Jack Delano (at Shorpy).
Two recent posts by Shorpy caught my attention, both of them photos taken by Jack Delano in 1940: House of Fleas and Mystic Manor.
Another priceless photographic artifact, Marion Post Wolcott’s image of the Osage Spot in 1938 at Shorpy.
A reason to get back on the Orange Line: Artomatic is coming to New Carrollton at the end of the month, as Bob Niedt reports.
In honor of the opening of Washington Dulles International Airport 52 years ago: a stunning gallery of images of the Eero Saarinen-designed airport under construction, photographed by Balthazar Korab, and donated to the Library of Congress.
A triumph of the quotidian (and here at AHoaA, we are all about the quotidian), perfectly composed, at Shorpy: George’s Arax washes the Nash in Wausau.
At Shorpy, a delicious photograph from 1963 of the Bombay Bicycle Club bar in New York’s Essex House.
One of my favorite underrepresented photographic subjects, the porcelain convenience at Shorpy.
Happy sixth, Shorpy!
Two clip-and-save profiles from the Times this Sunday: Cindy Sherman without props, and Margaret Edson, middle school teacher.
Great photographs by Domingo Milella of a grove of Great Basin Bristlecone Pine (Pinus longaeva) in California’s White Mountains.
Two treasuries of Washington photography: 700-plus images made in the mid-1960s by Alexander Lmanian (1925-1996), shared by Yale’s Beinecke Rare Book and Manuscript Library; and Darrow Montgomery’s smaller collection of 25 photos he has made for Washington City Paper over the past quarter-century. Most notably, the Lmanian pictures document the destruction of the 1968 riots.
Via wood s lot comes news of the passing last week of Milton Rogovin, social documentary photographer based in Buffalo, N.Y. Claire O’Neill has assembled a slideshow of some of Rogovin’s images of “the forgotten ones,” and links to a 2003 interview with Scott Simon. Once blacklisted as the “top Communist in Buffalo,” Rogovin’s archives are now with the Library of Congress.