With the theme of Shakespeare, it’s not surprising that two of the pieces in Washington Ballet’s latest installment of 7×7 feature spoken-word accompaniment. But it is a couple of the wordless pieces that are the most effective of the evening.
Trey McIntyre’s Queen of the Goths, drawing on two scenes from Titus Andronicus, ends with a saucy flourish. quick bright things, by Matthew Neenan in response to a line of Lysander’s, is a colorful romp for six.
In Lovers Speak, Brianne Bland and Runqiao Du dance a meaty, muscular adagio duet by Matjash Mrozewski. As their bodies intertwine on the floor, there’s a strong sense of intimate improvisation.
The standout piece is by Cathy Marston, scored by Henryk Górecki: Whispers recounts Hamlet’s scene from Act III with his father’s ghost and Gertrude in her chamber. Third-season company member Zachary Hackstock gives an agile, expressive performance as he is called upon both to partner and be partnered. This is lean-forward entertainment that you can’t get from a screen.
- 7×7: Shakespeare, Washington Ballet, England Studio Theater, Washington
Washington Ballet continues to make improvements to the friendly confines of its England Studio Theater. Stepped risers (that apparently stow away like a trundle bed) now allow for six rows of seating (and every seat has a back). Sight lines are pretty good, though seats on the extreme right and left lose sight of some of the far upstage action.
