- I’m done with WATCH shows for the year. No more driving until January!
Anderson, Heart of a Dog
“When L died, our teacher said, Every time you think of her, give something away, or, do something kind. And I said, Then I’d be giving things away non-stop. And he said, So?”
Category Archives: Art and Architecture
In honor of the opening of Washington Dulles International Airport 52 years ago: a stunning gallery of images of the Eero Saarinen-designed airport under construction, photographed by Balthazar Korab, and donated to the Library of Congress.
Book me a motel in the Berkshires: Mass MoCA is set to announce a long-term partnership with James Turrell, setting aside 35,000 square feet of new exhibition space for several of his works.
Carol Vogel reports on the restoration of the Metropolitan Museum of Art’s Adam, a 15th-century marble by Tullio Lombardo, which is again on display. The sculpture was smashed into dozens of pieces when its supporting pedestal gave way, in 2002. Vogel notes “a new attitude adopted by museums around the world to share such innovative work not just professionally but with the public,” although concerns had been expressed (as reported by Randy Kennedy in 2010) about the slowness of the reconstruction as well as lack of media access. In any event, now that the sculpture is back, the museum has produced an impressive suite of videos summarizing the story.
Related: Restoration of a Mark Rothko.
Kriston Capps mounts a thoughtful defense of the unloved, unlovely FBI HQ.
So much of the criticism of Brutalism treats it like a failed quiz—a problem to be solved, a problem for which there are correct answers, not a piece of history that could be preserved and improved upon.
Very nice 20-minute video detailing the restoration of a vandalized Mark Rothko, one of the Seagrams murals, now in the collection of the Tate Modern. Of interest to fans of John Logan’s Red—a study canvas prepared by the artist is found in storage, conservationists prepare a test canvas with those big sweepy brushes, some quick views of the murals as a series—tech gearheads (500-power 3-D microscopy), and devotees of the painter’s work.
A holiday weekend affords some time to scan some old photos.
The bascule Johnson Street Bridge in Victoria. Today, it’s in the process of being replaced.
Where else in the world but Portland would you find an official city park the size of a manhole? Welcome to Mill Ends Park.
Rick Wright offers some of his unconventional picks for this season’s art competition for the Federal Migratory Bird Hunting and Conservation Stamp.
This is not a decoy, not a duck, but the self-conscious simulacrum of a duck/decoy, and in its grotesque combination of the organic and the artificial, the living and the not, this figure brings together eloquently the concerns, shared and conflicting, of hunters and birders, reminding us all of where the duck stamp comes from and all the fine things it has led to over the years.
It might win, but it won’t. I predict that next year’s stamp will be pedestrian and placative, like all its predecessors. I’m still buying it, though.
Artomatic, the building-recycling, artist-driven free-for-all, is coming to Jefferson County, W. Va. The exhibition opens 4 October in the “Rock & Tile Building” in Charles Town.
First it was the lights coming on at Wrigley Field, then the closing of Tower Records and Ollsson’s Books, and then the end of the zone system for D.C. taxicabs. We endured. But this blow is too much to take: the Metropolitan Museum of Art has discontinued its colorful admission buttons, replacing them with paper tickets, stickers—and advertising. A spokesman for the museum says that the the new paraphernalia will save the organization two cents apiece. Bah!
Glenstone, a private art museum in Potomac, Md., looks forward to a $125 million expansion. Come 2016, a new series of exhibition spaces will be open five days a week, albeit by reservation only. Important works by mid-century moderns (Serra, Pollack, Johns, de Kooning) and contemporary artists are part of the collection of Mitchell and Emily Rales. Carol Vogel has the full story.
Sol LeWitt’s Wall Drawing No. 681 C at the National Gallery has collapsed. The pieces are going into storage.
You shouldn’t be a prisoner of your own ideas. Everyone gets into their own box and enunciates principles, if only in their own mind—you have your own constraints and your own structure that you think you’re following, and then you realize that what you’re saying is “I can do this, but I can’t do that.” And then at some point you say, “Well, why not?” and the answer is “Because I told myself I couldn’t.” If you keep telling yourself, “You can,” then you are liberated. If you’re totally constrained, all that’s left for you to do is break the mold. “Every wall is a door.”—Sol LeWitt, BOMB Magazine, Fall 2003
Toronto’s glass-and-steel skyline is an architect’s delight, but quite deadly to fall migrant birds. Despite Canadian government regs that make newly-built towers less lethal, there is still great room for improvement. Ian Austen tours the city, and picks up a few carcasses, with Michal Mesure and volunteers for the Fatal Light Awareness Program.
For my first field trip as part of the Virginia Native Plant Society’s annual meeting, we visited the Virginia Commonwealth University Inger and Walter Rice Center for Environmental Life Sciences in Charles City County. The botanizing was what it was, but the education and lab facility was a stunner.
VCU acquired the property, on a bluff with a majestic view of the James River, via a gift from Walter Rice’s widow, Inger. She then went on to specify (and fund!) a state-of-the-art sustainably-built edifice. Panelled in American White-cedar, the building has achieved LEED platinum certification. Early plans called for solar panels on the roof, but they would have been shadowed by the huge oak that provides the shade in this image. So the panels were relocated to the research pier at the bottom of the bluff.
Vertical geothermal tubes provide some of the heating and cooling. I was surprised to learn that the permeable paving system for the entrance drive and parking area (a plastic grid over layers of sand and gravel) was one of the more expensive elements, blowing out the original $2M budget for the entire package.
The south-facing conference hall is naturally lit and ventilated. Knee-height casement windows are supplemented with industrial-strength ceiling fans, keeping temps in the room very comfortable (albeit on a breezy early fall day).
As we talked outside, our presenters were upstaged by a pair of chippering Bald Eagles, their arrival announced by an unhappy Blue Jay.
Along with research into Eastern Box Turtles and Prothonotary Warblers, the Center is in the midst of a wetland restoration project—one that was prompted by Nature herself. Kimages Creek, just to the east of the educattion building, was dammed in the 1920s by a real estate developer who sought to establish a hunting club. Although he busted almost immediately, the dam remained for the time being, impounding a body of water called Charles Lake (it’s still labelled as such on Yahoo!’s maps). The earthen dam, never well-maintained, was eventually breached by storms in the 2000s. Efforts are now underway to re-establish the tidal freshwater creek.
Land use in the area is exceptionally well-documented and mapped, owing to the place’s strategic importance during the American Civil War. Gen. George McClellan’s Army of the Potomac was encamped on the eastern side of Kimages Creek for a short period of time in 1862.