My year in hikes and field trips, 2017

Enh, I need to get out more.

And several trips to my home park, Huntley Meadows Park.

2016’s list. 2015’s list. 2014’s list. 2013’s list. 2012’s list. 2011’s list. 2010’s list. 2009’s list. 2008’s list.

New venues, 2017

A renewed acquaintance with Olney Theatre Center, following their expansion and rebuilds.

Bonus out-of-town venue:

  • Jazz Standard, New York

Bonus out-of-town library:

  • Mertz Library, New York Botanical Garden, Bronx, New York

2016’s list. 2015’s list. 2014’s list. 2013’s list. 2012’s list. 2011’s list.

The year in review, 2017

Scanty posting for much of the year. Nevertheless, my annual slice through the first-of-the-month posts:

  • 5 January: WATCH assignments are ready!
  • 2 February: Augmented by a stack of books from Leta’s library.
  • 2 March: Woolly continues its admirable run of productions in which people of faith—specifically, Christian faith—are front and center, with their questions and fears driving the story.
  • 2 April: Richard Bolles has passed away.
  • 2 May: From my last report to the nest box team:
  • 3 June: A lovely “bloom” of one of our common yellow myxomycetes in the Ridge Heights meadow.
  • 2 July: O Gray Catbird, who have been tapping at your reflection in my window glass, maybe if I post your picture on the internet you’ll be embarrassed and cut it out.
  • 5 August: TIL that IAD was originally planned to be built in what is now Burke.
  • 1 September: In the course of researching the life of Laura Lyon White (Mrs. Lovell White), I came across an interesting turn of events concerning LLW’s estate.
  • 2 October: Kevin Dodge, Shirley Gay, and Steve Kite led a walk though Ice Mountain Preserve.
  • 5 November: Another piece by one of our journalists was cited in one of the textbooks that I’m recording for Learning Ally:
  • 3 December: Hilary Howard reports on the precarious state of independent acting conservatories in New York.

The year in review:

My year in contributions, 2017

If you’re looking for a last-minute contribution to make—maybe to round up your tax-deductible total for the year—I have… some suggestions.

These are the groups and projects to which I gave coin (generally tax-deductible), property, and/or effort in 2017.

Upcoming: 49

The matrix of judging assignments for 2018 WATCH has been released. I’ll be visiting a member company that’s new to me. And doing a lot of driving.

  • Johnston, House
  • Sondheim, Assassins
  • Morgan, The Audience
  • Menken, Ashman, and Rice, Beauty and the Beast
  • Mamet, American Buffalo
  • Simon, California Suite
  • Morey/Dumas, The Count of Monte Cristo
  • Lerner and Loewe, Brigadoon

Plus two ever-popular TBDs.

R. L. May

Long-overlooked research explains the nature of Rudolph’s glow, and its fitness for his habitat.

The records for 25 December 1949 indicate a worldwide fog of unprecedented extent. Claus’ adoption of Rudolph and cultivation of a pure-breeding strain facilitated his navigational tasks during the smogs that beset developed countries in the 1950s and 1960s.

A mystery: 11: solved

Thanks to Cameron Binkley and his librarian contacts at the California Academy of Sciences, I now have confirmation that Laura White’s memorial to her husband, as specified in her will, was indeed realized at CAS. According to academy’s 1958 annual report, the Lovell White Hall of Man and Nature was part of the Hall of Science (along with the Alexander Morrison Planetarium).

The Whites’ daughter-in-law Ruth gave an oral history interview in 1976. She fills in some of the details of the White-CAS connection.

RB: So then I gave [the Garden of Allah] to the California Academy of Sciences and they had it for about three years, two or three years and they loved it. The reason I selected that to give it to is because the California Academy of Sciences has a memorial for Ralston’s father, Mr. Lovell White. His mother gave it to the California a memorial there, so I thought it would be very appropriate for the —

CE: The Academy of Sciences. Were they delighted with the bequest?

RB: They certainly were delighted but regrettably their income was restricted to be spent in the City and County of San Francisco so they had to give it up painfully.

A mystery inside a mystery: The Garden of Allah, Ralston and Ruth’s Marin County home, is not the Los Angeles resort of the same name that is the setting for Scott and Hem in the Garden of Allah.

The Hall of Science was demolished as part of CAS’s rebuild in 2008, so maybe Laura and Lovell would have been better off with a plaque or a statue.

Suddenly

Suddenly is a captivating dramatization of a suite of short stories (cryptic little tales, more precisely) by Edgar Keret, employing puppets, live video, and actors. Here, the puppets and scenery are scaled to the frame of a video lens: a ten-inch-long pair of legs, trudging through a streetscape of castoff, broken bits of frames and shutters, becomes the lonely man Miron walking down a shabby street. The moving video lens manipulates point of view. There is the the touching story of a dog named Tuvia, a puppet constructed from scraps of fabric. When Tuvia is abandoned on a street corner, we watch the dog recede from view as the camera walks away. The camera leverages perspective: a two-shot of the feet of a live actor and those of puppet Miron line up perfectly. In the piece’s most intriguing breakdown of narrative frames, the dog Tuvia chews on the cameraman’s cables and runs roughshod over the set for Miron’s meeting in a coffee shop. Narrator and listener exchange places multiple times over the course of the stories.

The philosophy of the piece is that it is more difficult, but more valuable, to make something out of something (not out of nothing). For indeed, in doing so, you learn that the something was there all along.

  • Suddenly, based on stories by Etgar Keret, adapted by Zvi Sahar and Oded Littman, The Cameri Theatre of Tel Aviv, directed by Zvi Sahar, PuppetCinema, Clarice Center Kogod Theater, College Park, Md.

Respect for acting

Hilary Howard reports on the precarious state of independent acting conservatories in New York. To stay afloat, many have partnered with universities (at the cost of higher fees for their students). The Knickerbocker’s showcase is now online (which makes sense, because aspiring actors are gravitating to classes in auditioning and on-camera work and skipping classes in craft). Rents for Chelsea venues are climbing. At Stanford Meisner’s Neighborhood Playhouse,

“We are all afraid of the roof caving in,” said Ms. [Pamela] Moller Kareman, who had to pay $20,000 to fix the building’s out-of-commission elevator when she was first hired. “The elevator guys said we don’t even have parts for this anymore,” she recalled.